My guest is Gigi Microys, who is now a retired family physician. She graduated from the University of Toronto Medical School in 1963, and has held academic positions as teacher in the departments of family medicine. She has written and lectured about physician health, the medical marriage, and women in medicine. She published her memoir, A Journey Through Medicine: Memoirs of a Female Immigrant, in 2019. Gigi lives in Ottawa with her husband, a retired structural engineer.
My guest is Alex Freeman, who is a theatre director who also does voicework. He has directed plays across the US and has voiced over 50 audiobooks. He’s done acting and teaching as well, and has an MFA in directing from Western Illinois University. We talk about how a director works with the playwright’s script and with the actors, how audiobooks are made, and the differences between directing theatre and directing film.
My guest is Colleen Tews, who is an author with a taste for writing about strong women who take strength even from their weaknesses. Colleen has established her own imprint, Delphian Hope Publishing, to publish her work and hopes that she can also some day publish others’ as well. Her novel Onyx is forthcoming in March.
My guest is Robin Landa, who holds the title of Distinguished Professor at Michael Graves College of Kean University in Union, New Jersey. She’s also a “creativity guru” who advocates for industry inclusion and equity, and provides scholarships for meritorious students or students in need. Robin’s expertise is in creative advertising, branding, graphic design, and social media. Her new book, just published in November, is called The New Art of Ideas: Unlock Your Creative Potential. This is a followup conversation to episode 58 last summer, and again she was a joy to talk to and a font of knowledge. We talk about her new ideas framework, solving the UN’s 17 Sustainable Development Goals, and how to make the best-shaped pasta.
My guest is Harker Jones (no relation), who provides a witty self-bio, but of whom I can say more newscastery, so to speak, that he’s an artist who works and has worked in many different media for a few decades now. He published the Amazon #1-bestselling gay love story called Until September. Harker has also written many screenplays, and directed and produced several short thrillers that have played at film festivals and won awards. Somewhere in there he also was managing editor or Out magazine for 7 years. In my conversation, he was modest and self-effacing about his many achievements. And as for his self-bio, I liked this best: “He’s a member of both the Los Angeles Drama Critics Circle and Mensa, loves cats and carbs and would like to be a one-hit wonder but would settle for being killed in a slasher movie.”
My guest is Oscar Martens, who is a writer based in Burnaby, British Columbia, Canada. Oscar is also a good friend of mine whom I’ve known for over 30 years, when I met him in a writing class in Ottawa. He has since published two collections of literary short stories to excellent reviews: The Girl with the Full Figure Is Your Daughter in 2002, and No Call Too Small in 2020. In this second part of my conversation with him, we continue on the same topic, but also discuss the use of conversation in fiction and in film. Please also check out Part 1, the previous episode of the podcast, in which we still talk about conversation, but in broader terms, and introducing some of the concepts referred to in this episode.
My guest is Oscar Martens, who is a writer based in Burnaby, British Columbia, Canada. Oscar is also a good friend of mine whom I’ve know for over 30 years, when I met him in a writing class in Ottawa. He has since published two collections of literary short stories to excellent reviews: The Girl with the Full Figure Is Your Daughter in 2002, and No Call Too Small in 2020. In this second part of my conversation with him, we continue on the same topic, but also discuss the use of conversation in fiction and in film. In the second part, we continue on the same topic, but also discuss the use of conversation in fiction and in film.
My guest is Heather Buzila, who is past president and a current member of the national executive council of Editors Canada, the professional association for editors in Canada. She has been an editor for over 15 years and currently works for Athabasca University in Edmonton, Alberta, where she edits materials for online courses in humanities and the social sciences. Heather also has broad experience in editing both fiction and nonfiction, as well as web materials for many organizations. We talk about Editors Canada, the association, what its purpose is, what it does for editors, and other topics.
My guest is Emily McPherson, who writes for young adult readers, with several fantasy projects in the works. She describes herself as “an Irish dancer with a slight obsession with mythological creatures.” Emily lives in Connecticut, and her debut novel, Mother of the River, will be published by Eyebright Books in March.